Posted by Katie Rivito, Poetry Reader for issue 6.1
Although I cannot recall its name, the first literary journal I was introduced to left a lasting impression on me. This was not because I found its contents intriguing or its purpose inspiring, but because I was forced to study it page by page with excruciatingly focused attention while my friends tailgated our high-school football game.
My dad had come home that day just moments before dinner time, calling out to my sister and me to quickly meet him at the dining room table. We walked into the room to find him sitting at the head of the table with two copies of a book in front of him.
“You won’t believe what I showed my students today,” he announced excitedly as he slid us each a book from across the table. Continue reading
Posted by Frank Bruno, Fiction Reader for issue 6.1
In May of 2016 Ocean Vuong’s first full length collection of poetry, Night Sky With Exit Wounds was released by Copper Canyon Press. The book has since received swaths of rave reviews and a number of prestigious awards including the Whiting Award, the Forward Prize, and the Thom Gunn Award. Despite the relative media buzz created by the book, it only came to me a year after its initial release when my friend read me the poem “Thanksgiving 2006.” I started reading my own copy this past June and finished it last week. Continue reading
Posted by Merrin Sardi, Fiction Reader for issue 6.1
We are already half way through the semester but it’s never too late to meet the new section heads! Below, each editor explains what prompted them to sign on as a section head this semester, and tells us what they are hoping to encounter in our submission pile. Perhaps their views will inspire you to submit a piece or two to the literary magazine. Our deadline has been extended until 10/22. Continue reading
Posted by Sara Munjack, Arts Editor and Poetry Reader for issue 6.1, Former contributor for issue 4.1.
A quick glance at where former Gandy Dancer contributors are now is all that is necessary to confirm that the literary journal acts as a spring board which propels emerging writers into the writing trajectory Poet Yael Massen, who just finished her MFA at Indiana University is currently working on a poetry manuscript, which she says is “emotionally exhausting.” Her poems can be found in Gandy Dancer’s inaugural issue. Since, she has been published in several literary journals including Columbia Journal, Tupelo Quarterly, Southern Indiana Review, The Journal, and has a couple of poems forthcoming in print issues of Colorado Review and Fifth Wednesday Journal. She has also begun working on contemporary Hebrew poem translations—two of which have been published in Waxwing. Continue reading
Hello Gandy Dancers! We are introducing our new Managing Editors for the next two semesters, Meghan Fellows and Lily Codera! Here are some questions and answers that the ladies answered for you to get to know them better. Cheers! Continue reading
Posted by Grace Ventura, CNF Reader for 5.2
Do you have a bookshelf (either physically or mentally) that is organized into the books you haven’t read yet and the books you have already read? If so, then you probably haven’t heard of the website/app Goodreads . Goodreads keeps track of all of this for you and then some.
Goodreads is free on iTunes and on the Google Play Store. You can sign up through Facebook although you have the option to sign up with an email instead. If you sign up through Facebook, you can connect with other Facebook friends that have the app. The best way to explain how Goodreads works is by going through the five tabs that are listed at the bottom of the app. Continue reading
Posted by Noah Mazer, GD Art Editor, and Poetry Reader
We are pleased to announce the selection of Ashley Lester as Featured Artist for issue 5.2 of Gandy Dance. Among the many works submitted, the Art reviewers for this issue were particularly struck by Lester’s submissions, which were the only ones that utilized collage as their medium. We were so impressed by Lester’s art, in fact, that we reached out and asked her to submit more pieces so that she could be included as Featured Artist. Here, Lester offers insight into what influences her artwork: Continue reading
Posted by Mallika Shah, Gandy Dancer Fiction Reader for 5.2
The tenth issue of Gandy Dancer has marked a shift. Through the semester-long process of its creation, the staff has seen an increased tone of melancholy—a transition into darker themes reflecting the despair that many Americans feel today. On May 5th however, as noted by Managing Editors Evan and Oliver, Gandy Dancer was a gathering place for the contributors, readers, and staff to connect and celebrate this milestone: five years of Geneseo’s SUNY-wide literary magazine. A magazine that has grown up and has taken a stand. Continue reading
Posted by Cassidy Brighton, Gandy Dancer CNF Reader for 5.2
Making decisions on what gets published each semester in Gandy Dancer is not an easy task. With so many submissions and limited room within the magazine, the selection process can get intense.
This is my second semester working to create Gandy Dancer, and my second time working to choose the creative nonfiction pieces that will be published. Each time, we have had to make tough choices and have had tough conversations about what few pieces are going to get put into this semester’s journal. Continue reading
Posted by Evan Goldstein, GD Managing Editor for 5.2
I finished Love is a Stone Endlessly in Flight, Dante Di Stefano’s debut poetry collection, alone under the harsh fluorescent lamp that hangs above my dinner table. It was a frigid winter night, and the wind howled its way under the door to my house and into the living room. Earlier, I had spent considerable time looking out of my bedroom window: trash and lost milk crates skated across the concrete past the students fighting their way to campus in the wind.
It’s easy, especially on Western New York winter nights like this, to feel unhopeful. We live in an unhopeful time, as well. As we watch the authoritarian Trump administration double down on America’s long bipartisan history of war abroad and austerity and state terror at home it can be easy to forget where to find hope, or at least solace, in the day by day. Continue reading