Posted by Merrin Sardi, Fiction Reader for issue 6.1
We are already half way through the semester but it’s never too late to meet the new section heads! Below, each editor explains what prompted them to sign on as a section head this semester, and tells us what they are hoping to encounter in our submission pile. Perhaps their views will inspire you to submit a piece or two to the literary magazine. Our deadline has been extended until 10/22. Continue reading
Posted by Sara Munjack, Arts Editor and Poetry Reader for issue 6.1, Former contributor for issue 4.1.
A quick glance at where former Gandy Dancer contributors are now is all that is necessary to confirm that the literary journal acts as a spring board which propels emerging writers into the writing trajectory Poet Yael Massen, who just finished her MFA at Indiana University is currently working on a poetry manuscript, which she says is “emotionally exhausting.” Her poems can be found in Gandy Dancer’s inaugural issue. Since, she has been published in several literary journals including Columbia Journal, Tupelo Quarterly, Southern Indiana Review, The Journal, and has a couple of poems forthcoming in print issues of Colorado Review and Fifth Wednesday Journal. She has also begun working on contemporary Hebrew poem translations—two of which have been published in Waxwing. Continue reading
Posted By Emily McClemont, GD Creative Nonfiction Reader for 5.2
“Sparkl[ing] with talent, humanity, and youth.” (O, The Oprah Magazine).
In May of 2012, Marina Keegan graduated magna cum laude from Yale University. She lost her life in a car accident shortly after. Two years following Keegan’s death, a collection of her short stories and essays was published. A New York Times bestseller and Goodreads Choice Awards in Nonfiction (2014) winner, The Opposite of Loneliness conveys, as Keegan’s former mentor, Harold Bloom states, Keegan’s request for the student generation “to invest their youthful pride and exuberance both in self-development and in the improvement of our tormented society.” Continue reading
Posted by Hannah McSorley, GD Fiction Reader for 5.2
I first read Fates and Furies by Lauren Groff over the summer following a recommendation by my older sister, and I have since recommended this book, as well as all of Groff’s other stories and books, to everyone who knows me. I couldn’t put this book down!
Fates and Furies captures the marriage between Lotto and Mathilde Satterwhite. The book is split into two parts titled “Fates” and “Furies” respectively, and it is a fantastic exploration of marriage and it raises the question of how well we know others in our lives. Continue reading
Posted by Jeanna Foti, GD Fiction Reader for 5.2
With a new semester, comes a brand new issue of Gandy Dancer! As the submission deadline approaches, this semester’s new group of editors is eager to dive in and get started on issue 5.2. In the meantime, I’ve asked the new section heads a couple of questions in order to properly introduce them to our readers. This semester, we have two creative non-fiction co-editors, Josh DeJoy and Meghan Fellows. We have Jackie Shost as our fiction editor, Kallie Swyer as our poetry editor, and Noah Mazer as our art editor. Continue reading
Posted by Grace Rowan, GD Non-Fiction Reader for 5.2
When most people think of the month of February, events such as Valentine’s Day, Black History Month, and President’s Day come to mind. What you may not know is that February is also National Book Review Month. Here at SUNY Geneseo, we are celebrating books of all genres through the English Department’s second annual National Book Review Month (NaRMo). Readers can submit reviews of their favorite books to the NaRMo website: www.narmo.milne-library.org. The website provides five easy steps to writing a book review and how to submit the review once completed. NaRMo is accepting reviews from a variety of genres including Children’s Books, Drama, Fiction, Non-Fiction, and Poetry. Continue reading
Posted by Gabi Garcia, GD Poetry Reader for 5.1
This semester as I was editing for the Gandy Dancer I got the opportunity to review the literary magazine from one of our sister schools, SUNY Purchase, the art school of the SUNY system. The phrase Italics Mine refers to using italics in a paper to emphasize a word or phrase in a quote to bring the reader’s attention to your point. I think I’ve overused this tactic a few times when I was a freshman, so I was pretty excited to see there were other folks who share my enthusiasm for emphasis. What I think is wonderful about this title is that it expresses that there are moments, words, images in our lives and environments that are emphasized by artists and are defining for them as artists (emphasis, much like this entire blog post, mine). Continue reading
Filed under Blog, Reviews
Posted by Cassidy Brighton, GD Creative Nonfiction Reader for 5.1
After intense publicity, and posters tacked to every corkboard on campus, emails sent to every English department across every SUNY, and personal texts, emails, tweets and more to promote the journal, you’d think the submissions would be flowing into Gandy Dancer. This is the first semester that I’ve worked behind the scenes on the creation of Gandy Dancer, but it’s obviously not the first time I’ve heard of the journal. For years now, I’ve been seeing and hearing the promotions for Gandy Dancer, but why haven’t I ever found myself drawn to the Submittable page before? Now that I have a new relationship with the magazine, I wonder what stopped me from submitting my work in the past and if the same thing is stopping other writers. Continue reading
Posted by Joshua DeJoy, GD Creative Nonfiction Reader for 5.1
Lionel Shriver photo by Daniel Seed for The Guardian
Can fiction authors write outside of their own experiences? To ask the question is to answer it: Of course! It’s fiction, isn’t it?
At least, that’s what American-born novelist Lionel Shriver argued at the Brisbane Writers Festival on September 8 in her keynote address, “Fiction and Identity Politics,” which deals extensively with the concept of cultural appropriation. I think her speech is worth reading in full, but I’ll attempt to summarize it: fiction writers have to use experiences outside of their own in order to write compelling fiction. “This is a disrespectful vocation by its nature—prying, voyeuristic, kleptomaniacal, and presumptuous. And that is fiction writing at its best,” Shriver says. Continue reading
Posted by Marley DeRosia, GD Fiction Reader for 5.1
It’s that time of the year! The new Gandy Dancer staff is starting to pick up speed as our submission deadline draws to a close, along with the dying rays of summer heat (thank goodness!) As we all settle in with our warm mugs of coffee or cider, we’ll begin reading and assessing the quality and craft of the pieces submitted. For those of you considering submitting, we’ve extended our deadline to October 8th! To get us ready to read, I asked the section heads some hard-hitting questions. This year’s fiction editor is Sarah Steil, the poetry head is Robbie Held, and the creative nonfiction editor Alexis Sammler. Here’s what these clever individuals had to say about their goals for Gandy Dancer and their reading interests:
Marley DeRosia: Sarah, what do you hope to accomplish as the Fiction Section head for this edition’s issue?
Sarah Steil: I hope to feature different voices/writers that offer stories so powerful I need to go take a walk after reading them. There are always some poems/stories that move me so greatly that I think how did they do that?, and then, how can I do that, too? I want every fiction story featured in Gandy Dancer to, metaphorically, punch the reader in the face.
MD: What made you want to be the fiction editor this semester? Have you had experience writing or publishing fiction in the past? Continue reading