Emily Webb

Growing Up Lucy

for Genaro


I distinctly remember the moment when I became a calamity. It occurred mere minutes after learning I had become an older sister at four years old—a reckless age when scabbed knees are still considered cute.

While some of the frantic events that day linger as fragments in my memory, I still vividly recall my father trudging toward me as I lounged in my pink and cream plastered bedroom, filling my daily quota of coloring. I noticed how his bristly eyebrows crinkled together in a frustrated panic while he struggled to lure me away from my coloring book.

“Em, you need to come with me to the hospital right now,” my father pleaded between heaves of breath. “We have to go meet your baby sister.”

As he wildly whirled his hands in the doorway to hurry me downstairs, I couldn’t seem to understand what was possibly more important than finishing my Crayola opus. Sure, I knew that we had to make room for this tiny newborn in our already tiny family. I just didn’t see what all the fuss was about—my new sister was going to be another rambunctious kid just like me.

In waiting for her arrival, I had planned a gamut of adventures that would have trained this girl for her new role as my partner-in-crime. We were going to jiggle to the best tunes blaring from my Playskool cassette player, chitchat over cups of fathomed tea in my mossy playhouse, even rummage through my costume chest to flaunt the glitziest jewels and chicest outfits. Little did I realize that such overly eager impulses could get me into some tight troubles.

Caught up in the fantasy of being an older sister, I strolled over to the door of my closet and peered through its hinges to gawk at my father, who was frantically rifling through clothes to pack a suitcase for me.

“Hi, Daddy!” I shrieked through the crack, though he was too frazzled to respond. “I can see you! Look, Dad! I’m in the doo—”

Before I could even breathe out another chuckle, my father finished packing and abruptly slammed the closet door, inadvertently clinching my lips between its hinges. I still remember the searing twinge of hurt that pulsated beneath my lip tissue as I yelped for him through tears and muffled speech.

Though I knew that my father did not mean to inflict pain on my motor mouth with what felt like a closet chokehold, I realized years later that the episode was entirely self-inflicted. It was the birth of a hot mess. I bore a fat lip a week later to prove it.


My mother never spent much time with her father as a child, though she cherished the moments when they’d plop in front of the tube together and watch their nightly program. In her small brick colonial in Queens, my mother would not have much of a say when it came to choosing the family programming on their single Magnavox television set. She usually had to tolerate her other five relatives wielding the dial, including my grandfather. He would often force her to sit through repeats of I Love Lucy, the celebrated six-year sitcom starring Lucille Ball, the outlandish funnywoman who cracked the televised veneer of a poised housewife with uproarious hijinks.

Though the show had been playing on air over and over again for almost twenty years, my mother would still strain her paunched baby cheeks from giggling at Lucy’s wild antics. Alongside her father, she would watch in hysterics as Lucy gulped down too many spoonfuls of Vitameatavegamin—an alcohol-based serum that was “rich in megetables and vinerals”—or when she played Harpo Marx’s reflection. She delighted in listening to her father chortle whenever Lucy would screw up another one of Ricky’s gigs at the club or bawl like a child after getting caught in her shenanigans. I can imagine my grandfather letting out his signature cackle—reminiscent of the Count from Sesame Street, though missing its Transylvanian nuances—as my mother looks over to catch his revelry and follow suit.


Somehow, stories of my dumb luck or casual misfortune have become prime dinner conversation. That time I lost grip of the leash on Aunt Tracy’s dog after being startled by another dog’s bellowing bark, for example. Or the time I desperately needed to pee while stranded on a tarmac for seven hours before my first international flight, alone. Or even the time I accidentally blasted Blondie’s “Call Me” across the quiet section of my college’s library when my headphones popped out of my computer. These recurring tales of my awkward pain have caused my family to christen me with nicknames. The most popular one, as of late, has been “calamity”—in the loveliest of ways, my folks assure me, though I still dole out an eyeroll every now and then.

If you ask my mother, she will insist that I’m just as endearingly clumsy as Lucille. I would expect as much from the woman who loafs around our house in ratty, pink pajamas, printed with that iconic scene of Lucy and Ethel gorging themselves with chocolates off a speeding conveyor belt. Those pajamas have floated through almost every distinct moment of my childhood for as long as I can remember, whether my mother was scolding my mindless antics or guffawing over my latest mortifying episode. Those pajamas have watched me bloom into a calamity while trying to grasp adulthood. I just wonder how long it will take before I bloom out of it.


A grand horn medley swells with the babaloo shimmy of maracas as Lucy’s opening credits swipe across the screen and introduce that iconic episode, “Job Switching.” When the screen fades into a shot of the Ricardos’ modest living room, Ricky walks on set by slamming the front door and calling for his crazed redhead in a huff. Lucy then tramples onscreen and chirps out a loud “is that you, sweetie pie?” ready to sling her arms around her husband until she catches his fuming glare.

Before she can retreat backstage, Ricky grumbles Lucy’s name with his burly Cuban accent and reels his finger inward to summon her as if she were an impudent child. Lucy’s lips curl into a guilty cringe, a response I recognize.

This time, Lucy’s crime is overdrawing her bank account. Ricky reads aloud a note that she leaves on one of her checks: “Dear teller, be a lamb and don’t put this through ‘til next month.”

As the audience chortles off-screen, Lucy winces under Ricky’s hard stare and starts to wring her hands together, as if trying to scrub the proverbial red off.

“I don’t know what’s the matter with you,” Ricky whines. “Every month, every single month, your bank account is overdrawn. Now what is the reason?”

The shrill pitch in Ricky’s outraged voice sounds similar to my mother’s when she would chastise my senseless behavior as a kid. That time I ran into oncoming traffic, the afternoon I left our basement door open and caused my baby sister to topple down the stairwell—you know, “kid stuff.”

While my mother has disciplined me for reckless antics over the years, I would never have served her as cheeky of a retort as Lucy’s when she tells Ricky, “You don’t give me enough money!”

The audience then falls into a bout of rousing laughter while Ricky and Lucy begin to bicker about who works harder in supporting the family. Sick of arguing about their responsibilities, Ricky finally challenges his wife to experience his life in the working world and apply for a job. With her head held exceedingly high, Lucy appears confident when she accepts this test of her competency, though we all know how she fares after working as a candy maker at Kramer’s Kandy Kitchen.


While he would yuck it up watching Lucy raise all sorts of hell on screen, my grandfather could have been a comedian in his own right. My mother remembers the way he would spill out cheeky one-liners almost as if they were scripted. “Do as I say, don’t say as I do,” he’d say whenever his offspring caught him disobeying his own rules, or he might say, “I zigged when I should have zagged,” if he took the wrong route during a car ride. My grandfather hardly seemed to take himself seriously, even as the head of the household.

Though I still find it hard to believe that this former sailor, carpenter and World War II veteran could deliver such hilarious lines as if it were his job. I suppose there must be a kooky gene floating somewhere in our family line. While I’ve listened to my mother tell stories about his shenanigans over the years, I can’t seem to conjure enough of my own memories about my grandfather’s double life as a jokester.

When I look back on my whirlwind childhood, I can only piece together his vibrant presence in old photographs. I am often posing with my grandfather on some patriotic holiday—whether it be Memorial Day or the Fourth of July—his sanded palms cradling me close while we share a dimpled grin. I slightly remember the way my grandfather would watch over our family like a vessel, anchoring himself in an armchair at any gathering so that he could play with his grandkids and still watch the Mets game. He would often kick back and watch me ricochet around the room, cackling in awe of my boundless energy.

The only memento of my grandfather that still rings clear is his old, hearty laugh. It fueled my childish abandon when I scaled countertops for unreachable treats or played hardcore rounds of leapfrog. It made me feel daring and invincible, even when the calamity unfolded in welts and scrapes. I felt like I could do no wrong around my grandfather, no matter how impulsive or foolish I acted.


The camera cross fades into a bleak workroom at the candy factory, its walls seemingly starved of rich colors despite the black and white transmission. Enter Lucy and her faithful accomplice, Ethel (dressed in smocks and deflated chef hats) filing in behind their supervisor. As they walk into the workroom, Lucy and Ethel catch another employee sitting at a workbench and whisking her hand around in a frothy pool of chocolate.

When their supervisor comes to an abrupt halt stage right, the disastrous duo reacts on cue as they topple over each other with a jerk. With a taut frown flaunting her authority, their supervisor doles out instructions that raise the tight vessels of her bony neck.

“Ricardo, I’m going to put you to work chocolate dipping,” she beckons over to Lucy with a tone of inflated command. “You say you’ve had experience?”

Distracted by the mesmerizing efficiency of the other worker, Lucy waits a beat until she snaps out of her ditzy trance.

“Oh, yes ma’am. I’m a dipper from way back,” the redhead assures her boss with a spritely tone. “They used to call me the Big Dipper.”

Lucy turns to Ethel and rewards her punch line with a proud chortle until the audience joins in. The camera then focuses on the supervisor, her lips pursing into a firm crease and her eyes bugging out in scorn. Catching this displeased reaction, Lucy soon cuts her guffaw short and instead lets out what sounds like the bleat of a queasy doe.

“There is no room in this plant for levity, however weak,” the supervisor remarks. Lucy responds with a faint “yes ma’am,” quickly collapsing the dimples carved in her radiant cheeks.

When the supervisor decides to escort Ethel offstage and place her in a different department, Lucy hops onto a stool next to the employee hard at work and settles herself at the table, complete with a tub of melted chocolate, fresh candy and a wooden cutting board. Before she gets her hands dirty, Lucy peers over at the other worker to observe her mechanical motions. Her curious smirk signals the workings of a rascal—I can tell because I wore that same simper just before the door hinge cut my mischief short.

Once she believes she can handle the candy dipping process, Lucy blithely scoops a glob of melted chocolate out of its tub and spatters it onto her cutting board. She feverishly swishes her fingers around in the bubbling liquid, looking back at her coworker every now and then to check if she’s doing it right. As she continues to play in this muddy puddle, Lucy begins to prod the chocolate with a deliriously chipper grin, almost as if she were punching piano keys in a grand concerto. Ignoring wads of candy that drop around her workspace, Lucy flings its remains into a pile on the table and spatters the chocolate dripping from her fingers into that mess. The calamity builds to a crescendo and howls of mirth rise from the audience.

Before she proceeds to muck around in this slop, Lucy suddenly flickers her wide, dopey eyes across the room when she hears a fly buzzing overhead. She follows its path until it finally lands on her coworker’s face. Acting on a sheer impulse to kill the critter, Lucy whacks her sticky hand against her co-worker’s cheek, prompting the woman to strike back with another chocolate smack.

The audience starts to hoot once Lucy turns to the camera, her face slathered in globs of chocolate. She then gasps with disgruntled breath as the screen fades out.



One moment that crawls into my mind when I consider my grandfather’s humor is the time he broke out in uproarious laughter after raving at my aunt in public over family dinner. As I gorged myself with plates of gnocchi and eggplant parmesan alongside my relatives at an Italian restaurant, I could hear a ruckus coming from the other end of the table where my aunt sat across from my grandfather. As the noise grew louder, I looked over to find my aunt wrangling with a wine bottle that was clutched in my grandfather’s wrinkled, wobbling grip. I assumed that he was trying to pour what might have been his third glass, but my aunt wanted to stop him since she knew that he could keep pouring.

“Stop it, okay?” she grunted in an audible whisper while hunched over her food, struggling to free the bottle from his fingers. “You’ve had enough already.”

“What’s the matter?” my grandfather whined. His grimace expressed all of his waning strength at seventy-five years old.

As he started to raise his voice—partly due to frustration and partly due to his poor hearing—I noticed how patrons sitting at other tables peered over their shoulders and gawked at this hollering old man. They were enthralled by his tantrum, as if he were a zany child.

“Will you stop?” my aunt sternly uttered under her breath, glaring at my grandfather until he released that coveted bottle. “We’re in public—people are staring.”

“So what?” he shouted in what sounded like a fit of enraged amusement. “I yam what I yam!”

Though it felt inappropriate at the time, I couldn’t help but giggle at my grandfather’s cartoonish outburst. It resounded against the restaurant walls with an odd note of both triumph and resignation. While I scanned the reactions from my family around our table, I caught my mother hiding a weak smirk as she focused her expression in her plate of angel hair.

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