Fall is in the air, and November is upon us, bringing with it NANOWRIMO, also known as National Novel Writing Month. The name alone is daunting: one month, to write a whole novel? The basic premise as listed on the website is even more daunting: starting November first, participants aim to write a 50,000 word novel. The first time I heard of NANOWRIMO, all I could think was that is a lot of words, and not nearly enough time to write them in. Since then, I have managed to complete the challenge not once, but twice. While neither work is necessarily publishable, there is a certain pride to knowing that you can write that much, you can make the time, and, in my case in particular, you can muscle your way through your writer’s block. Continue reading
Posted by Liz Verrastro, Fiction Section Head for issue 6.1
Halloween has just passed and it seems that with that, all the spooky energy has as well. Whether you dressed up as Wonder Woman, a clown, or someone from Game of Thrones for Halloween, nothing keeps the fun alive more than scary tales. If the success of the new film adaptation of Stephen King’s It is anything to go by, people love to be scared, so why not let the fun continue after Halloween has passed? Why else would there be a multi-million-dollar haunted house industry? Here are seven scary fiction pieces, perfect to keep the Halloween spirit alive even after the holiday has passed. Continue reading
Posted by Katie Rivito, Poetry Reader for issue 6.1
Although I cannot recall its name, the first literary journal I was introduced to left a lasting impression on me. This was not because I found its contents intriguing or its purpose inspiring, but because I was forced to study it page by page with excruciatingly focused attention while my friends tailgated our high-school football game.
My dad had come home that day just moments before dinner time, calling out to my sister and me to quickly meet him at the dining room table. We walked into the room to find him sitting at the head of the table with two copies of a book in front of him.
“You won’t believe what I showed my students today,” he announced excitedly as he slid us each a book from across the table. Continue reading
In May of 2016 Ocean Vuong’s first full length collection of poetry, Night Sky With Exit Wounds was released by Copper Canyon Press. The book has since received swaths of rave reviews and a number of prestigious awards including the Whiting Award, the Forward Prize, and the Thom Gunn Award. Despite the relative media buzz created by the book, it only came to me a year after its initial release when my friend read me the poem “Thanksgiving 2006.” I started reading my own copy this past June and finished it last week. Continue reading
Posted by Merrin Sardi, Fiction Reader for issue 6.1
We are already half way through the semester but it’s never too late to meet the new section heads! Below, each editor explains what prompted them to sign on as a section head this semester, and tells us what they are hoping to encounter in our submission pile. Perhaps their views will inspire you to submit a piece or two to the literary magazine. Our deadline has been extended until 10/22. Continue reading
A quick glance at where former Gandy Dancer contributors are now is all that is necessary to confirm that the literary journal acts as a spring board which propels emerging writers into the writing trajectory Poet Yael Massen, who just finished her MFA at Indiana University is currently working on a poetry manuscript, which she says is “emotionally exhausting.” Her poems can be found in Gandy Dancer’s inaugural issue. Since, she has been published in several literary journals including Columbia Journal, Tupelo Quarterly, Southern Indiana Review, The Journal, and has a couple of poems forthcoming in print issues of Colorado Review and Fifth Wednesday Journal. She has also begun working on contemporary Hebrew poem translations—two of which have been published in Waxwing. Continue reading
Hello Gandy Dancers! We are introducing our new Managing Editors for the next two semesters, Meghan Fellows and Lily Codera! Here are some questions and answers that the ladies answered for you to get to know them better. Cheers! Continue reading
Posted by Grace Ventura, CNF Reader for 5.2
Do you have a bookshelf (either physically or mentally) that is organized into the books you haven’t read yet and the books you have already read? If so, then you probably haven’t heard of the website/app Goodreads . Goodreads keeps track of all of this for you and then some.
Goodreads is free on iTunes and on the Google Play Store. You can sign up through Facebook although you have the option to sign up with an email instead. If you sign up through Facebook, you can connect with other Facebook friends that have the app. The best way to explain how Goodreads works is by going through the five tabs that are listed at the bottom of the app. Continue reading
Like a shot of espresso, a Best Of issue is a short burst of concentrated content. Dynamic and packed with the best fiction, poetry, creative nonfiction, and cover art of the last 25 years, Best of The Angle is St. John Fisher’s literary espresso shot. Published in 2016, the anthology also features interviews with the authors alongside their revived writings spanning back to as early as 1956 and as late as 2011.
The joy of a Best Of compilation is in the consistent quality and The Angle delivers in all forms. Tom Hughes’ poem “OINK,” published in 1967, recalls the counter-culture during the Vietnam War, and, like all the work in the anthology, is complimented by an interview in which the author expounds upon his inspiration. On the other hand, full of emotion, distress, and mystery, Emilio Lopez’s story “Reluctant Brother” explores the relationship between two brothers as one tries to call the other back to the family. Lopez’s story is patient, chilling, and, according to him, verges toward the Twilight Zone. Continue reading
Posted by Noah Mazer, GD Art Editor, and Poetry Reader
We are pleased to announce the selection of Ashley Lester as Featured Artist for issue 5.2 of Gandy Dance. Among the many works submitted, the Art reviewers for this issue were particularly struck by Lester’s submissions, which were the only ones that utilized collage as their medium. We were so impressed by Lester’s art, in fact, that we reached out and asked her to submit more pieces so that she could be included as Featured Artist. Here, Lester offers insight into what influences her artwork: Continue reading