Posted by Alison DiCesare, Creative Non-Fiction Head for Issue 10.1
When I began my studies in creative writing, I had a solid grasp on fiction and poetry as genres with specific rules and expectations – I had never heard of creative nonfiction. I had heard of memoirs, of course, and academic essays, but it had never occurred to me that nonfiction could really be creative. Since then, it has become one of my favorite genres to work with, and I understand that it has limitless possibilities. I know many fellow writers, especially students, also aren’t familiar with the genre, so I’m going to attempt here to introduce you to the possibilities of creative nonfiction as well as give you some tips on how to approach writing it yourself. Continue reading
Posted by Kaitlin Pfundstein, GD Creative Non-Fiction Reader for 6.2
With May 1 rapidly approaching, high school seniors across the nation are making what feels like one of the most important decisions of their lives so far. Choosing what college you will attend is one of the first major decisions a young adult makes autonomously, and the process can be daunting to say the least. Each school offers different programs and opportunities for students to advance their learning both inside and outside the classroom; SUNY Geneseo is no exception to this rule. Continue reading
Posted by Grace Rowan, GD Creative Non-Fiction Reader for 6.2
During the month of February, love is in the air. At SUNY Geneseo, the love of books and the art of reviewing is celebrated through the English Department’s third annual National Book Review Month (NaRMo). Readers can submit reviews of their favorite books to the NaRMo website: www.narmo.milne-library.org. The website provides five easy steps to writing a book review and how to submit the review once completed. NaRMo is accepting reviews from a variety of genres including Children’s Books, Drama, Fiction, Non-Fiction, and Poetry.
To learn more about NaRMo and why book reviews are a great asset to not only the Geneseo literary community, but also the campus community, I interviewed the Coordinator and Student Chair of NaRMo here at SUNY Geneseo, Heather Molzon. Heather Molzon is a senior Creative Writing major with a Communication minor. Continue reading
Filed under Blog, Interviews
Posted by Francesco Bruno, GD Fiction Co-Section Head for 6.2
I invite you to refute the old adage “don’t judge a book by its cover,” and contemplate the paperback edition of Jennifer Egan’s A Visit from the Goon Squad, published in 2011 by Alfred A Knopf. The cover shows a colorful menagerie of bodies in manifold contortions and postures. The translucent figures overlap and blend with each other, but no single figure grabs a central focus. The book’s title is laid over this image (again, the font is translucent) and the cluster of bodies is put into focus by a background of stark white space. The cover suggests not cacophony but polyphony, its narratives not shouting over one another but offering a variety of perspectives and lenses through which readers can continuously re-interpret the cover. Continue reading
Posted by Madison Wayland, CNF Reader for issue 6.1
So, uh, what are you going to do with that?”
This is the response I often receive from—well-meaning, and for the most part understandably confused—internship coworkers, peers in a new class, old friNeuWriteends I run into at Wal-Mart, as I answer that standard what-are-you-doing-with-your-life question every college student receives at Christmas dinners. I tell them I’m a double major, biology and creative writing, and watch their faces slowly twist as they try to comprehend the combination. Continue reading
Posted by Frank Bruno, Fiction Reader for issue 6.1
In May of 2016 Ocean Vuong’s first full length collection of poetry, Night Sky With Exit Wounds was released by Copper Canyon Press. The book has since received swaths of rave reviews and a number of prestigious awards including the Whiting Award, the Forward Prize, and the Thom Gunn Award. Despite the relative media buzz created by the book, it only came to me a year after its initial release when my friend read me the poem “Thanksgiving 2006.” I started reading my own copy this past June and finished it last week. Continue reading
Posted by Evan Goldstein, GD Managing Editor for 5.2
I finished Love is a Stone Endlessly in Flight, Dante Di Stefano’s debut poetry collection, alone under the harsh fluorescent lamp that hangs above my dinner table. It was a frigid winter night, and the wind howled its way under the door to my house and into the living room. Earlier, I had spent considerable time looking out of my bedroom window: trash and lost milk crates skated across the concrete past the students fighting their way to campus in the wind.
It’s easy, especially on Western New York winter nights like this, to feel unhopeful. We live in an unhopeful time, as well. As we watch the authoritarian Trump administration double down on America’s long bipartisan history of war abroad and austerity and state terror at home it can be easy to forget where to find hope, or at least solace, in the day by day. Continue reading
Posted by Lily Codera, GD Poetry Reader for 5.2
So you’ve decided to write, and nothing is going to stop you. You’re going to write, and no number of soul-draining barista or restaurant server positions (on the side) can slow your momentum now. At this point, you may have developed a routine that allows you to work on your writing regularly; you may have even pinpointed your most productive time of day so as to “protect” it, like Kate Daloz suggested at her recent reading. Maybe your dad has finally come to terms with the fact that you’re probably not going to become the doctor or lawyer that he always wanted you to be. Great. So why do you still feel so unsettled about all this? Continue reading
Posted By Emily McClemont, GD Creative Nonfiction Reader for 5.2
“Sparkl[ing] with talent, humanity, and youth.” (O, The Oprah Magazine).
In May of 2012, Marina Keegan graduated magna cum laude from Yale University. She lost her life in a car accident shortly after. Two years following Keegan’s death, a collection of her short stories and essays was published. A New York Times bestseller and Goodreads Choice Awards in Nonfiction (2014) winner, The Opposite of Loneliness conveys, as Keegan’s former mentor, Harold Bloom states, Keegan’s request for the student generation “to invest their youthful pride and exuberance both in self-development and in the improvement of our tormented society.” Continue reading