Category Archives: Reviews

Shara McCallum’s Madwoman: an Exploration of Female Identity, Race, and Strength

Posted by Arianna Miller, GD Co-Poetry Section Head for 6.2

Shara McCallum was this semester’s visiting poet at SUNY Geneseo.  I had not only the pleasure of sitting down for lunch with McCallum, both also of reading her diverse collection, MadwomanMadwoman spans across what it means to be a woman, to have the privilege of being a black woman who appears white, and to accept being the daughter of a schizophrenic, all with the underlying presence of her Jamaican heritage.    Continue reading

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Filed under Blog, Interviews, Poetry, Reviews

Supporting Developing Artists with Italics Mine

Gandy Dancer's Review of SUNY Purchase's literary journal, Italics MinePosted by Gabi Garcia, GD Poetry Reader for 5.1

This semester as I was editing for the Gandy Dancer I got the opportunity to review the literary magazine from one of our sister schools, SUNY Purchase, the art school of the SUNY system. The phrase Italics Mine refers to using italics in a paper to emphasize a word or phrase in a quote to bring the reader’s attention to your point. I think I’ve overused this tactic a few times when I was a freshman, so I was pretty excited to see there were other folks who share my enthusiasm for emphasis. What I think is wonderful about this title is that it expresses that there are moments, words, images in our lives and environments that are emphasized by artists and are defining for them as artists (emphasis, much like this entire blog post, mine). Continue reading

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This Angel on My Chest: a Book Review

Posted by Erin Duffy, Public Relations Manager for issue 4.2 and CNF Editor for issue 4.1

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

It might be somewhat hyperbolic to suggest that Leslie Pietrzyk’s newest collection defies literary classification, but there are few, if any, categories into which it seamlessly fits. This Angel On My Chest is a collection of unrelated short fiction pieces that read like a cohesive novel, and each story borrows so heavily from Pietrzyk’s personal experiences that it’s impossible to tell fact from fiction. It’s an oddball of a book that nevertheless elicits myriad emotions from the reader. Though at times emotionally draining, each piece – the whole book, in fact – is a masterwork of craft and an utterly raw exploration of grief. Continue reading

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